ไฟล์เสียงปลอดค่าลิขสิทธิ์ 10,156 ไฟล์สำหรับ "Drum And Bass"

Sunday modular beat. How strange can you go. . .

Basic drum loop at 175bpm. Use any way you want.

A synth sound with some distortion and chorus effects.

172 bpm melody loop, suitable for liquid funk dnb download full pack: https://loopcult. Com/collections/free-downloads/products/arachne-liquid-drum-bass-sample-pack.

Dnb loop @ 170 bpm √.

Here's a simple dnb drum loop i've cut from my track "booster".

Heavy metal gallop rhythm as drum pattern.

Amen break by the winstons [specifically g. C. Coleman] (at 1:26): (https://www. Youtube. Com/watch?v=gxzuq57_bym). I used audio source separator isse,(http://isse. Sourceforge. Net/), to separate the individual snare hits from the ride hits as well as the kicks,. I recorded the amen break samples to be separated with this amen break vst because it has good room reverb on it:. (https://www. Kvraudio. Com/product/db-force-the-amen-by-mastrcode-music). You can put this audio file in a splicer to make custom drum beats.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

*Two-hundred-ninth subharmonic on C = E↓. Just: 256/209 = 351.17 cents. Limit: 19-limit. MIDI pitch bend: 47,48

*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54

*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64

*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54

*33rd subharmonic on C = C↓. Just: 64:33 = 1146.73 cents. Limit: 11-limit. MIDI pitch bend: 122,78

*Hundred-seventy-first subharmonic on C = G-. Just: 256/171 = 698.58 cents. Limit: 19-limit. MIDI pitch bend: 69,63

*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-thirty-third subharmonic on C = B-. Just: 256/133 = 1133.66 cents. Limit: 19-limit. MIDI pitch bend: 98,74

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55

Frankie and Johnny

Scale of harmonics on C.

Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.

*Eighty-fifth subharmonic on C = A. Just: 128/85 = 708.73 cents. Limit: 17-limit. MIDI pitch bend: 101,66

*Twenty-third subharmonic on C = G♭-. Just: 32/23 = 571.73 cents. Limit: 23-limit. MIDI pitch bend: 121,54

*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

*Two-hundred-twenty-first subharmonic on C = E♭. Just: 256/221 = 254.52 cents. Limit: 17-limit. MIDI pitch bend: 57,49

Mary (I'm in Love with You) heard during the ending credits of The Adventures of Ozzie and Harriet episode "Ricky Goes to a Dance"

Incidental music from The Adventures of Ozzie and Harriet (episode: "A Day in Bed")

Mozart, Don Giovanni dances from act 1, scene 5

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

A simple drum loop, but then glitchedi made this in fl studio 11 with standard hip-hop samples (with standard i mean the samples you can just find in your fl studio folder)to glitch it i used dblue_glitch.

I used audio source separator isse (http://isse. Sourceforge. Net/) to separate the hi hats from the kick and snare in the break beat "funky drummer". Funky drummer: https://en. Wikipedia. Org/wiki/funky_drummer. The beginning of the audio file plays the kick and snare part while the 2nd part of the same audio file plays the hi-hat part.